
Finally, I acquired a copy of The Fourth Round by Charles Grayson, the last of his Stories for Men anthologies.

This is my second post about Charles Grayson (born Charles Wright Gray 1903). The first post started with an interest in noir writers and the discovery of a book about noir writers. In the book by Paul Duncan, I found a little known author and screen writer, P.J Wolfson, and his early collaborator, Allen Rivkin, which lead to Charles Grayson, editor of these terrific anthologies of short stories by literary greats. A common thread among these three writers was the famous Hollywood director, John Huston.
Called out west by Hollywood to work , P.J. Wolfson and Allen Rivkin started writing scripts together in the early 1930′s. Charles Grayson was already there.
A native Californian, he graduated from UCLA in 1926 with a degree in English. Here’s a link to his UCLA graduation photo (Thanks to Charlotte Brown at the UCLA university archives for help in finding this source!). At UCLA, he was a member of Kaps and Bells (drama) and served as the Literature committee chairman .
All three screenwriters were very young men and about the same age as they began work at a Hollywood that was entering its Golden Era.
Charles Grayson had already published a few anthologies under his birth name, Charles Wright Gray. His mother’s father’s name was Lucien D.C. Gray. It is therefore likely he changed his surname to Grayson perhaps because “Gray” was too bland (but I don’t really know why he changed it).
He had two sisters. One of whom, Evelyn, was married to Tom Mix’s lawyer Ivon Drouth Parker (d. 1953) who was a thoroughbreed horse breeder, member of the Los Angeles Breakfast Club, and founder of the Los Angeles County Sheriff’s Posse.

[source: Los Angeles Times, Chatterbox, Dec. 29, 1935]
Before his stints in Hollywood, Charles Grayson did some world traveling and furthered his education by attending Harvard and the Sorbonne [source: Charles Grayson obit.- The New York Times May 9, 1973].
Eventually Grayson, Rivkin, and Wolfson, would all three become friends of John Huston, director of The Maltese Falcon (1941). In his book Hello Hollywood! written with his wife Laura Kerr, Allen Rivkin talks about meeting and working with John Huston and shenanigans that took place on the studio lot with P.J. Wolfson. Also in his book Hello Hollywood!, Allen Rivkin published a small account written by Charles Grayson about working with John Huston on a film set.
Charles Grayson and director John Huston shared a love for fine literature. No other other Hollywood director faithfully adapted so many literary works to the big screen. Huston directed and filmed The Treasure of the Sierra Madre, The Red Badge of Courage, The African Queen, Moby Dick, A Farewell to Arms, The Night of The Iguana, The Man who would be King, Wise Blood , and The Dead.
Along with John Huston, Charles Grayson joined the service in WWII. They later worked on the film project The Barbarian and the Geisha together.
Here’s a photo of Captain Charles Grayson hanging out with John Huston during WWII:
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**photo credit from The Hustons by Lawrence Grobel -Cooper Square Press, 2000
During the war, Charles worked on propaganda films like Underground (1941). He also got the anthology of New Stories issued as an Armed Services Edition. Humphrey Bogart mentions it in a preface to The Fourth Round, “I even encountered it among the troops of World War II in the overseas edition issued by the Special Services Editions people – shows how well it found friends”.
Photo of the New Stories For Men Armed Service Edition-
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Before getting married, Charles dated several women including Irene Hervey, Carole Stone, Greta Nissen, June Knight, Nancy Carroll, film noir actress Audrey Totter and Joan Crawford. Apparently, Hollywood actresses, the war, carousing and working with John Huston wasn’t enough because his wanderlust got the better of him. He hung out with the King of Cambodia which he fictionalized in his novel The Broken Gate.
He married Paddy Yeatts, and died at the age of 69 in 1973.
Besides his anthologies, he published several novels:
Spotlight Madness – H. Liveright, 1931
Everything Goes – Macaulay Company, 1932
Flight South – Doubleday, 1935
Angel Town- Doubleday, 1946

Angel Town takes place in the Los Angeles. In the book, he makes comparisons with the Los Angeles he knew as a youth.
“Now a sprawling pseudo metropolis, materially prosperous in its buildings and streets and formal parks, it was if a vivid wayward child had grown up into being an emotionally blowzy woman. Uncertain food had gone into its development. Too many vagrants had fed it, too many people with little money and a huge desire to spend their remaining days in a temperate zone; too many of those who wanted nothing more than to get along. The town’s climate was too favourable to keep it from invasion, its defenses too lax to keep it self-contained.” - excerpt from Angel Town
My copy of Angel Town was signed to Max Wilk who was a screenwriter himself and published Schmucks with Underwoods – Conversations with Hollywood’s Classic Screenwriters - Hal Leonard Corporation , 2004 .

The Broken Gate – Doubleday (1948)

Arena – Rinehart, 1958
What I found doing this research has been interesting. One thing is for sure, many screenwriters who worked in the 30′s and 40′s have very little information in their IMDB bios.
“Because Charles Grayson, the novelist, is blessed with a sense of humor, he came to an unexpected fortune.” – George Tucker
Pingback: The P.J Wolfson story – Bodies are Dust | wdors wrdos wodrs
I have a book by Charles Grayson: The Show Case, 1936. I can’t seem to find anything on the internet about it. I am having a hard time reading his writing, but it is signed to two people (first names only) and he only signs it with his first name and the year 1937. Any info would be appreciated. Thanks!
A book review exists in the Sunday edition of the New York Times June 28, 1936.
“Readers who are perennially interested in the parties, wire pulling, and scandals of film city will find The Show Case revelations satisfactory.”
Charles Grayson had already written another Hollywood novel called Spotlight Madness (Horace Liveright, New York, 1931). In the thirties, a lot of small publishers capitalized on Hollywood. The publisher Green Circle books was an imprint or trade name used by a publisher, The Macaulay Company, headed by then president-treasurer Lee Furman who also used his own imprint Lee Furman Inc.
Green Circle Books published mainly romance, mystery and westerns novels. Lee Furman was sometimes the claimant of the copyright on the books he published. If on the 28th year after the year the book was published or 1964, no renewal was recorded, then this book is in the public domain.
For books copyrighted before 1978, you have to search through the renewal records.
Link: http://comminfo.rutgers.edu/~lesk/copyrenew.html
But lo and behold, Charles Grayson renewed the copyright in 1964.
So, I’m guessing the copyright right page states 1936 held by Charles Grayson and not the publisher. I don’t believe Lee Furman renewed many of his copyrights.
There should be no edition in The Showcase stated.
Link: http://www.ilab.org/eng/documentation/230-first-edition_-_identification_by_publisher.html
Since the book was renewed in 1964, it means that the book does not fall into public domain until 2031. (1936 + 95 years)
Links:
http://copyright.cornell.edu/resources/publicdomain.cfm
http://onlinebooks.library.upenn.edu/renewals.html
However, the book will eventually be made available soon online for ereaders. The book was digitized by Google on October 12, 2007 from a copy held at the University of California library.
Link
I would guess that the book is an “orphan” book. An orphan book is one that is out of print and is still under copyright, but the author (died 1973), publisher, or the holders of the transferred copyright rights cannot be located or determined. Google will make the book available for purchase unless the copyright holder comes forth and requests to “turn it off”.
Link: http://books.google.com/googlebooks/agreement/
As of August 5th 2010, Grayson’s other earlier book Spotlight Madness is listed in Abebooks for $95. Other obscure books by Green Circle Books in great condition top out at around $300.
Macaulay Publishers didn’t last much past the 1930′s and was sold to Citadel Press. The last major book published by Macaulay was Detour by Martin M Goldsmith in 1939. Detour was made into a film noir classic in 1945.
Citadel Press was sold to the Lyle Stuart Company then to the Carol Publishing Group which was then sold to the Kensington Publishing Corporation and is still an imprint of the Kensington publishing company. Kensington Publishing Corp is an independent U.S. publisher of hardcover, trade, and mass paperback books.